The environment is a crucial factor in the believe system of aboriginal people. Landscape constructs the spirituality, as well as the culture, of indigenous people. Through exploring the spiritual significance of Dreaming Tracks, the wider community can understand the way in which environmental factors have impacted the societal practices of pre-colonial Australia. This notion is demonstrated by Ellie Crystal within her web article Australian Aboriginal Dreaming. The act of walking the songlines, dance, song and pray enhances natural energies that heal as well as balance the environment (Crystal, 2013).This demonstrates how environment is embedded within the spirituality of Aboriginal culture as religious practices revolve around the
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The journey of an Ancestral Being endeavoring through the landscape forming laws, fauna and flora is aptly named a Dreaming Track (Australian Museum, 2009). Therefore, the belief in metaphysical beings has created the social foundations, such as morals, values and laws, of which the pre-colonial Aboriginal society followed. Songlines were not only a means of navigation but as reasoning for the creation of physical life. Bruce Chatwin provides evidence of this within his novel, The Songlines through the line, “singing the world into existence” (Chatwin, 1986). This exposes the forms of art used to enhance this spiritual belief and reveals the significance of the Dreaming Tracks. Aboriginal spirituality is crucial in comprehending the necessity of Dreaming Tracks to culture. By acknowledging this concept, it displays the way spirituality has formed significance for physical formations.
Relationships can be forged through embarking on a physical journey. The Dreaming tracks are, for this reason, imperative as it strengthens relations with others as well as the land. The Australian Museum presents the facts behind this ideology on a web article, “Dreaming tracks are shared by many Aboriginal communities across Australia” (Australian Museum, 2009). The information presented provides evidence to the fact that affiliations were manufactured through the shared Dreaming stories. To further this, the Australian Museum expands upon this point with,